Showing posts with label Knox. Show all posts
Showing posts with label Knox. Show all posts

Saturday, 25 July 2015

Powerpop - Kimberley Rew

What a very strange career Kimberley Rew has had. His best known work came with Katrina and the Waves, who gave us 'Walking on Sunshine' in 1985 and the last-ever British winner of Eurovision, 'Love Shine a Light', in 1997. But for the likes of you and me, of course, he's most revered for his epic guitar-playing with the Soft Boys, one of the great live bands of the post-punk years.

Somewhere between those two groups, he also released some solo stuff, starting with the 1980 single 'Stomping All Over the World'. And it's one of my favourite-ever records: a perfect, classically constructed pop song with slightly skewed lyrics that builds into an irresistible hook. Two minutes and ten seconds - that's all you need.

Like Knox's 'Gigolo Aunt', this was produced by Pat Collier at the Alaska studio.


This is one of a series of posts celebrating the poppier end of the post-punk period in Britain. Much of this stuff was neither cool nor popular at the time, but it was what I was listening to, and I worry that too much of it is being lost to history.

Friday, 24 July 2015

Powerpop - Knox

The missing link between the Vibrators and Pink Floyd. Sort of. This is the debut solo single by Knox, former frontman of the not very fashionable punk band, covering the Syd Barrett song 'Gigolo Aunt'.

Released in 1980, it was recorded at the Alaska studio and produced by Pat Collier - just like the Soft Boys' Underwater Moonlight album. To make it even more of a companion piece to that masterpiece, it features Matthew Seligman of the Soft Boys on bass, while Robyn Hitchcock plays guitar on the b-side, another fine cover, this time of Jimmy C. Newman's cajun-rock classic 'Alligator Man'.


This is one of a series of posts celebrating the poppier end of the post-punk period in Britain. Much of this stuff was neither cool nor popular at the time, but it was what I was listening to, and I worry that too much of it is being lost to history.